![]() Then I dragged these onto the second monitor, allowing me to max out my edit space and the peak metering. I loaded them up with the file browser, the loudness metering, the marker window and the MasterRig (more on the MasterRig later). Brilliant.Īnd there’s more: four configurable control windows to which you can assign tool sets and meters. You get montage edit tools for a montage file and file edit tools for editing an individual file. At its simplest you have a montage containing individual audio files, the montage and the files in it are stored together in the file group and your ribbon tools change to match the selection of the file you want to work on. ![]() Here you can corral all the files belonging to a project under one tab. This works best in conjunction with another new feature – file groups. Making this approach work, and hiding the complexity, is a ribbon and tab interface that aims to give you the options you need at the time you need them. First, WaveLab Pro 9 keeps the main thing with a single window paradigm. Don’t worry, yes there are more bells to ring and whistles to blow but the Number One change is the interface. But for a first time user, or someone like me who uses WaveLab alongside a range of other audio software, that blizzard of options could be a little overwhelming.Įnter WaveLab Pro 9. Now if you were brought up with that or if you used the ‘Lab every day, no problem. WaveLab 7 and 8 are powerhouse programs you know that because when you launch them, the interfaces have more bells than the top shelf of a Glasgow pub and more whistles than a ref’s convention. Alistair McGhee delves into the latest version of the audio editing and mastering software and discovers there’s a lot to take in…
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